Stringed Storytellers: The Difference Between Lutes, Ouds, and Citterns

Stringed Storytellers: The Difference Between Lutes, Ouds, and Citterns

Before the guitar dominated stages and living rooms, a family of plucked string instruments carried the melodies of civilisations. Walk into any museum of early music and you'll encounter beautifully crafted instruments with pear-shaped bodies, intricate rosettes, and courses of strings wound tight with history. Three instruments from this world — the lute, the oud, and the cittern — are among the most fascinating and frequently confused. Each has its own distinct lineage, construction, tuning system, and musical personality. This guide unpacks what sets them apart and helps you figure out which one might be calling your name.

A Family Tree Rooted in the Ancient World

All three instruments belong to the broader lute family — plucked chordophones with a neck and a resonating body. But their geographic and cultural origins diverge sharply, and those differences ripple through every aspect of how they look, sound, and play.

The oud is arguably the oldest of the three, tracing its ancestry to ancient Mesopotamia over 5,000 years ago. It spread through the Arab world, Persia, and Turkey, eventually reaching Europe via North Africa and the Iberian Peninsula during the medieval period. In fact, the very word lute is derived from the Arabic al-oud, meaning “the wood.” So in a meaningful sense, the oud fathered the lute.

The European lute emerged during the medieval period and hit its golden age during the Renaissance and Baroque eras, from roughly the 14th to the 18th century. It became the prestige instrument of European courts, with virtuosic solo repertoire composed by the likes of John Dowland and Sylvius Leopold Weiss.

The cittern followed a slightly different path. Popular from the 16th through the 18th century, it was a wire-strung instrument associated more with popular music and everyday playing than the courtly refinement of the lute. Barbers kept citterns in their shops for waiting customers — an early version of hold music.

Construction and Appearance: Similar Silhouettes, Different Details

At first glance, all three have a rounded back and a flat or slightly curved soundboard. The differences become clear on closer inspection.

Feature

Lute

Oud

Cittern

Body shape

Deep pear-shaped bowl

Deep pear-shaped bowl

Shallower, pear or teardrop

Back construction

Staved ribs (wood strips)

Staved ribs (wood strips)

Flat or slightly arched

Neck

Long with tied gut frets

Short, fretless

Shorter with metal frets

Pegbox

Bent back sharply

Bent back at 90°

Straight or slight angle

Strings

Gut or nylon (courses)

Gut or nylon (courses)

Wire (steel or brass)

Courses

6–13+ courses

5–6 courses

4–6 courses

Tuning

Modal/Renaissance tuning

No fixed universal tuning

GDAE or CGDA variants


One of the most immediately recognisable feat in ures of the oud is its fretless neck. Unlike the lute and cittern, which have tied gut frets (lute) or fixed metal frets (cittern), the oud offers a completely smooth neck. This allows players to bend notes and slide between pitches in ways that define the microtonal character of Middle Eastern and North African music.

If you’re exploring ouds, Muzikkon offers both Arabic ouds and Turkish ouds, which differ slightly in body depth, string length, and tuning — and even an electric Arabic oud for contemporary players.

Sound Character: Three Very Different Voices

These are not interchangeable instruments. Their tonal personalities are as distinct as their histories.

The lute produces a warm, intimate, and complex sound. The gut or new Aquila Nylgut strings give it a soft, slightly muted quality — perfect for the polyphonic Renaissance and Baroque music it was designed for. When you hear a lute, you hear layers: bass lines, inner voices, and melody woven together by a single player. Muzikkon’s range includes the Renaissance Lute , Descant Lute and Travel Lute, each crafted with historically informed attention to detail.

The oud has a deeper, rounder, more resonant tone with a pronounced bass response. Without frets, the sound blooms freely from the body. The oud’s voice is expansive and emotive — it can carry both joy and melancholy with equal conviction, which is why it remains central to Arabic maqam and Turkish makam music traditions.

The cittern is the bright, punchy outlier. Its wire strings give it a metallic ring and a sharp attack, cutting through acoustic noise in ways gut-strung instruments simply can’t. Where the lute whispers in candlelight, the cittern could hold its own in a noisy tavern. Modern players interested in similar wire-strung historical instruments may also enjoy the closely related Cittern.

Repertoire and Playing Traditions

The music written for these instruments is wildly different, and that matters when you’re choosing one to learn. Lute repertoire is largely notated in tablature and spans from anonymous medieval dances to complex Baroque fantasias. It sits comfortably alongside instruments like the Irish Bouzouki and Mandolin in terms of plucked-string technique.

Oud music is predominantly taught by ear and through oral tradition, reflecting its deep roots in a world where notation was secondary to improvisation and modal feeling. Its repertoire spans classical Arabic and Turkish art music through to Flamenco, jazz fusion, and experimental contemporary compositions.

Cittern music covers popular dance tunes, ballads, and simple accompaniment patterns. As explored in our post The Role of Folk Instruments in Storytelling and Oral Traditions, plucked instruments like the cittern were inseparable from community song and narrative.

How They Connect to Today’s Music Scene

None of these instruments is truly extinct. The lute has found new audiences in historically informed performance ensembles, the oud has become a central voice in world music fusion, and the cittern lives on in folk revival and Celtic music circles — its close relative, the Irish Bouzouki, is a fixture in traditional Irish sessions.

As discussed in Why Medieval Instruments Still Sound Modern, these ancient instruments have an uncanny ability to feel fresh and relevant to contemporary ears. For those who want to go even further back in time, the Rebec and Medieval Fiddles were contemporaries of the early lute and cittern. Our blog post The Rebec: A Medieval String Instrument That Shaped Western Music goes deeper into that story.

Which One Is Right for You?

Here’s a quick guide to help you decide based on your musical interests and playing style:

If you…

Consider…

Love Renaissance or Baroque music

Lute

Are drawn to Middle Eastern / Arabic music

Oud

Want a bright wire-strung folk sound

Cittern

Prefer playing with a plectrum

Oud or Cittern

Enjoy complex fingerstyle arrangements

Lute

Want an instrument for improvisation

Oud

Looking for a historically accessible start

Cittern


Explore the Full Range at Muzikkon

Whether you’re ready to commit to one instrument or simply want to explore the possibilities, Muzikkon’s String Instruments collection is one of the most comprehensive sources for historically informed plucked instruments available online. From our Cittern range to Lute Guitars, Arabic Ouds, Travel Lutes, and even the unique Lute Harp, you’ll find instruments crafted with care for players at every level.

These are instruments that carry stories. As our blog post From Ancient Rituals to Modern Stages: Instruments That Stood the Test of Time reminds us, the best instruments are the ones that keep being played. Pick one up and add your voice to a tradition that stretches back millennia.

Explore our full range of string instruments at muzikkon.com

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